Where or When
There’s something uniquely grounding about photographing familiar spaces. No dramatic landscapes or fast-moving subjects—just the quiet corners of home, a little light, and the patience to notice what’s already there.
These images were all taken with my Fujifilm X-T30 II, using a Lomochrome Metropolis-inspired film simulation recipe. The look is unmistakable: desaturated reds, cool shadows, and a mood that feels somewhere between retro documentary and modern still life. It’s a palette that leans into introspection and soft contrast, which felt perfect for the subdued, cozy energy of this space.
The first image features a worn leather backpack resting against a deep green wall, next to a mid-century style cabinet. The tones here are rich and muted, and the light falls in a way that adds weight to the textures.
The second photo includes a mirror shot layered with books, reflection, and a bit of self-portraiture—anchored by a poster that reads “Shh, I’m reading.” A nod to quiet pursuits, and maybe a little to nostalgia too.
The third image might be my favorite: a dog perched on a patterned sofa, completely still, completely present. That calm presence seems to embody the mood of the entire set.
I didn’t stage these scenes. They were already there—just waiting to be noticed. That’s what this film recipe helps me remember: photography doesn’t always have to be about movement or spectacle. Sometimes, it’s about being still long enough to see what’s right in front of you.
Gear used:
• Camera: Fujifilm X-T30 II
• Film Simulation Recipe: Custom, based on Lomochrome Metropolis
If you’re into film-inspired digital photography, I highly recommend exploring custom Fujifilm recipes. They’re a great way to shape your aesthetic and slow down your process.
Quiet Frames and Coastal Light: Shooting with the Fujifilm X-T30 II
On a recent outing by the coast, I brought along my Fujifilm X-T30 II — a camera that continues to impress me with its balance of power and portability. For this short photo series, I chose the Astia/Soft film simulation, known for its gentle contrast and subtle color rendering. It’s perfect for scenes that lean more into mood and softness than dramatic punch, which felt just right for the day.
This outing reminded me that photography doesn’t always need dramatic light or epic landscapes. Sometimes, it’s the quiet frames — steel meeting stone, a child’s silhouette on deck — that hold the most meaning.
Gear Used:
• Camera: Fujifilm X-T30 II
• Film Simulation: Astia/Soft
• Location: Kvitsøy, Norway
Lakeside quietness
Slowing down and soaking it in—shot these quiet lakeside moments with my Fujifilm X-T30 II using the Kodak Tri-X 400 film simulation. There’s something timeless about black & white.
Noir, Noir baby
Been diving deeper into the 50s Noir film simulation on the Fujifilm X-T30 II lately—something about that moody contrast and deep shadows just hits different.
Still figuring out how far I can push this look, but loving the atmosphere it’s creating.
Fly Like An Eagle
Shot with my Fujifilm X-T30 II using the Kodak Tri-X 400 film simulation recipe.
There’s something about black and white that pulls the soul out of a moment. A weathered backboard, rusted hoop, and a shadow that still wants to play. A lonely goalpost standing in silence, waiting for the next kick.
